Francesca Rendle-Short. Imago. Spinifex, 1996, ISBN: 1875559361
Molly Rose and Jimmy are ten pound poms, settling in the still-lakeless 1960s Australian capital to further Jimmy’s career as a soil scientist. Strange, awkward, terribly English Jimmy is never likely to fit in, though. Much later, Molly reflects that Jimmy had
never been in Australia, truly a part of the landscape, even though he’d tried. Jimmy had loved Australia as an armchair adventurer would, fairly trembling from want, from afar, as an idea…
Molly, though, is both discovering herself and making herself anew, in the image of this new land she finds herself in, and in that of her neighbour, Marj. Molly is virtually a child bride. She celebrates her 19th birthday on the ship voyage to Australia. While she is open-eyed about her life and her relationship with Jimmy, Australia, and Canberra, is her chance to move beyond the strictures of life with her mother, and of life in England.
The men in Marj and Molly’s lives are largely absent. Molly never knew her father, killed in the war before she was born. Strange, stuttering Jimmy is absent from the marital bed, and absent also from the house for long stretches, away on scientific expeditions ‘up north’. Marj’s husband Kevin is also away much of the time, on work gangs building roads and other infrastructure around the growing capital.
Molly’s experience of Canberra and of Marj are almost the same thing. The woman and the landscape overlap, merge, coalesce. The surrounding Brindabellas and the loud bulk of fat Marj are equally constant, protective marks in the landscape. What Molly wants most is to belong, to make a place for herself, both in Australia and in Marj’s life.
Their two houses are side by side on the slopes of Mount Ainslie, and the two women from time to time climb the hill to look out on the city.
Marj pointed out all the landmarks of the town, her fat arm swaying, digging holes in the air. Parliament House, bleached white, St John’s steeple, the War Memorial… The flood plain and meandering willow trees of the Molonglo River over which the planned lake would wash… She threw in the dome of the Science Academy, thinking Molly would be interested for Jimmy’s sake. Everything was detached and separated by grassy expanses and paddocks and rows and circles and trees, so that from where Molly and Marj were perched, it looked as if you could pick up the pieces and rearrange the monuments and avenues, like a child’s set of blocks.
For Molly, the land is feminine. One that afternoon when Marj shows her Canberra from Mount Ainslie, the Brindabellas
lay quite still, like lounging naked women pleased with their shapes, their legs and arms and torsos and behinds all knotted in an early evening haze…. It gave her goose pimples, similar to when she first met Marj.
Marj is for Molly inseparable from the landscape. She has always been there “pioneers really – when it wasn’t much more than a thought on paper”. And Molly seems also not to always know quite where she ends and Marj begins. The borders between Marj, Molly and the mountains are indistinct.
Later, when Molly has made another life for herself on Queensland’s Sunshine Coast, she realises that, just like in Canberra, Marj has been looking over her, in the form of Mudjimba Island, also known as the Old Woman. The Brindabellas also are bush women, are protectors and friends. To love Marj is to love Canberra, because they are the same thing – round, protective, unashamed, confident women.
ACT Book of the Year: Winner, 1997